Tag Archive: Baselight

FilmLight boosts Baselight for Avid functionality and efficiency with 5.0 at IBC

FilmLight is showcasing the latest release of Baselight for Avid, its high-productivity plugin that brings colour control and preview to editing workstations, at IBC2017 (Amsterdam, 15 – 19 September, stand 7.F31). With Baselight for Avid and FilmLight’s render-free, metadata-driven workflows, editors always see the latest grade, and can make their own adjustments to it without leaving …

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FilmLight announces free MacOS only application Baselight STUDENT

At NAB2017, FilmLight will preview their latest product Baselight STUDENT , a software-only macOS application that answers the call from a growing number of facilities for trained Baselight colourists and assistants. Baselight STUDENT is intended as the perfect learning tool, either for those wanting to train to become a professional colourist, to work on short …

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Permanent link to this article: http://www.videomag.gr/web/filmlight-announces-free-baselight-student/

Meet the colourist: Duncan Russell senior colourist at Freefolk

If you had asked Duncan as a teenager what he wanted to do with his life, getting paid to indulge his love of film and photography would have been right at the top of the list.  He has been known to grade all day at work, cycle home and start grading his own photographs. It’s …

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Meet Yoomin Lee, Colourist at Jogger Studios, London

  London-based Jogger Studios has recently appointed one of Australia’s brightest grading talents, Yoomin Lee, and also brought Baselight into the equation. Meet Producer Glen Percival and Colourist Yoomin Lee… Glen, can you give an introduction to Jogger Studios and your sister company Cut+Run? GP: Our artist-led London studio welcomes all projects, from high end …

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Permanent link to this article: http://www.videomag.gr/web/meet-yoomin-lee-colourist-at-jogger-studios-london/

Interview with Martin Klein. Colourist at Filmmore

Filmmore operates in Amsterdam and Brussels. Their colourist, Martin Klein, is a skilled artist who loves his work as well as photography, and keeps bees when he’s not in his colour room. How did you make your start in colour? After studying photography, I started working at the biggest film lab in the Netherlands grading …

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Permanent link to this article: http://www.videomag.gr/web/interview-martin-klein-colourist-filmmore/

FilmLight provides future-proof picture finishing for Sky

Sky has extended the capabilities of its post-production department with a suite of high-performance colour tools and technology from FilmLight. The new systems will allow Sky to serve the increasing technological demands of external clients as well as in-house departments at the company’s headquarters at Osterley, West London. Now installed at Sky are two Baselight TWO …

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Permanent link to this article: http://www.videomag.gr/web/filmlight-provides-future-proof-picture-finishing-sky/

Gorilla goes large on FilmLight

Gorilla is the largest post-production facility in Wales, with a brand new purpose-built flagship facility in the creative hub of Cardiff Bay. As part of a facility-wide upgrade, Gorilla has boosted its finishing facilities by expanding its Baselight installation, including upgrading to the latest version of the system software. At the heart of the facility …

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Permanent link to this article: http://www.videomag.gr/web/gorilla-goes-large-filmlight/

Q&A with Philipp Horsche, Senior Colourist & CEO at BFS Entertainment GmbH Munich

Philipp Horsch founded BFS Entertainment GmbH in 2006. The company offers file-based post production services, including 4K HDR workflows, dailies, editing, and IMF/DCP/HEVC deliveries, along with high end digital mastering for high-profile TV Shows. As senior colourist he has graded some exciting projects including two projects both shot in 4K, namely Der Bergdoktor and Die Bergretter, that …

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A look at Clint Eastwood’s Sully | With Colourist Maxine Gervais

Creating the look of a miracle French-Canadian colourist Maxine Gervais, now at Technicolor in Los Angeles, has developed a close working relationship with Director Clint Eastwood and cinematographer Tom Stern, going back to Eastwood’s adaptation of the musical Jersey Boys and more recently American Sniper. Their latest collaboration was on Sully, the biographical drama that …

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FilmLight takes colour to the next level at IBC2015

At IBC2015, FilmLight is showcasing colour technology for companies that create content for broadcast, film, promos or commercials. Working closely with other best-in-class manufacturers, FilmLight addresses the whole production chain from scene to screen. “High-quality content creation is getting more complex, and that makes a solid and efficient pipeline more important than ever before,” said …

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Permanent link to this article: http://www.videomag.gr/web/filmlight-takes-colour-to-the-next-level-at-ibc2015/

FilmLight Releases Baselight for Final Cut Pro

Light today announces the release of Baselight for Apple Final Cut Pro 7. This brings the power and accuracy of the world’s best colour grading system right into the heart of an edit suite. Designed for editorial houses, post-production facilities, independent filmmakers and other media producers, Baselight for Final Cut Pro allows users to create …

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Permanent link to this article: http://www.videomag.gr/web/filmlight-releases-baselight-for-final-cut-pro/

Major Baselight release to debut at IBC 2011

New Baselight software release (version 4.3)  moves the technology forward on all fronts – powerful new features, unique triple headed displays and a sea change in responsiveness and productivity. Software releases are rarely as comprehensive as Baselight 4.3 and often focus on a particular area of functionality. This version however, has a number of transforming …

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Permanent link to this article: http://www.videomag.gr/web/major-baselight-release-to-debut-at-ibc-2011/